Открыто

Управление цветом для профессионалов

Тема в разделе "Съемка и обработка фотографий", создана пользователем ramlekr, 24 окт 2016.

Цена: 1515р.-64%
Взнос: 537р.

Основной список: 4 участников

Резервный список: 1 участников

  1. 24 окт 2016
    #1
    ramlekr
    ramlekr ЧКЧлен клуба

    Складчина: Управление цветом для профессионалов

    [​IMG]
    Электронная книга об управлении цветом. Пригодится фотографу, дизайнеру, ретушеру и любому, кто работает с цифровыми изображениями.
    Формат: PDF + видеоуроки MP4 1080P.
    620 страниц - 52 главы
    Язык: английский.

    Chapter 1 - Colour Management Introduction
    Overview
    Saving money
    Saving time
    Colour management and consistency
    Summary

    Chapter 2 - Managing With Colour Blindness
    Statistics
    Age effects
    Tritanopia
    Deuteranopia
    Protanopia
    Cone monochromacy
    Achromatopsia
    Red X-Chrome contact lenses
    Preventative steps
    Testing your colour vision online
    Munsell FM100
    Eizo Color Universal Design
    Simulating colour blindness in Photoshop
    Colour blindness in art
    Summary

    Chapter 3 - The First Steps Towards Colour Excellence
    Introduction
    Lighting
    Lenses
    Camera calibration
    Zooms vs Primes
    Lens hoods

    Chapter 4 - Exposure
    Dynamic range
    LCD histograms
    Exposing to the right
    Handheld meters
    Sekonic L-308S
    Sekonic L-758D
    Sekonic L-478 LiteMaster Pro
    18% Grey card
    Testing the limits

    Chapter 5 - Raw Vs Jpeg
    The limitations of Jpeg
    Why you should shoot Raw
    Future proofing your images
    DNG vs Proprietary Raw

    Chapter 6 - Setting the White Balance
    Neutral vs Warm
    Colour temperature scale
    Colour temperature Raw file adjustments
    Daylight colour temperature
    Understanding different colour temperature scenarios
    Auto vs Custom White Balance
    White Balance presets
    The importance of accurate White Balance when shooting Jpeg
    The advantages of shooting a custom White Balance
    The importance of correct exposure for accurate White Balance
    The value of using a high quality grey card
    The ExpoDisc 2.0

    Chapter 7 - Colour Meters
    Why a colour meter is helpful
    Modern vs Old colour meters
    Sekonic C-700R
    Different spectrum curves in lighting types
    Colour meters for landscapes
    Using colour meters for precise control and understanding of the scene

    Chapter 8 - X-Rite ColorChecker Passport
    White Balance target
    Correcting the White Balance of Raw files in post production with a grey card
    The importance of an accurate White Balance when shooting Jpeg
    The Classic target
    Custom vs Generic camera profiles
    Matching colours with different camera types
    Creating camera profiles for different scenarios
    The Creative Enhancement target
    Practical uses of the Creative Enhancement target

    Chapter 9 - Summary Of First Steps
    Retouching anecdote
    Lost skills
    The camera is not important
    Keep it simple

    Chapter 10 - Apple Vs Windows For Colour Management
    Some history
    A modern comparison

    Chapter 11 - Setting Up The Working Environment
    How our environment affects our colour perception
    Munsell N8
    Ambient considerations
    The desktop area
    Room lighting
    The computer desktop background
    Monitor hoods
    Proof lighting

    Chapter 12 - Choosing The Right Monitor
    Monitor uniformity test
    Verifying the display gamut against your image
    Effective life expectancy of a new display
    The best manufacturers
    Different display technologies (IPS, TN Film, MVA and PVA)
    Minimum sizes and resolution requirements
    Contrast ratios
    Matte vs Glossy displays
    Understanding bit depth on displays
    Standard Vs Wide Gamut displays
    NEC MultiSync P232W
    NEC SpectraView Reference 242
    SpectraView II calibration software
    BenQ SW2700PT
    Laptop monitors

    Chapter 13 - Dual Monitors
    Size considerations
    Colour variation
    Video card considerations

    Chapter 14 - Monitor Maintenance
    How proper maintenance can affect the life expectancy of your display
    The effects of heat
    Controlling humidity
    Dust is your enemy
    Hard objects damaging the screen
    Avoiding shocks and vibration
    Electromagnetic interference
    Excessive usage and the screensavers
    Establishing a stable power supply
    Cleaning the monitor

    Chapter 15 - Colour Models
    RGB
    CMYK
    Lab

    Chapter 16 - Colour Spaces
    Reasons for applying a colour space
    Identifying a colour space
    Raw files and exporting to a colour space
    sRGB
    Why sRGB became so popular
    The limitations of sRGB
    Situations where sRGB is the best option
    Adobe RGB 1998
    The benefits of Adobe RGB
    When you should avoid Adobe RGB
    Coverage of Adobe RGB with a professional wide gamut display
    ColorMatch RGB
    Why ColorMatch RGB was created
    Modern use of ColorMatch RGB
    ISO TC130 committee colour space recommendation
    Pro Photo RGB
    The benefits of Pro Photo RGB
    The problems with Pro Photo RGB
    8-bit vs 16-bit files in Pro Photo RGB
    Practical considerations with Pro Photo RGB
    A practical comparison in print between sRGB, Adobe RGB and Pro Photo RGB

    Chapter 17 - Converting Colour Spaces
    Reasons for converting a colour space
    Choosing a Rendering Intent when converting a colour space
    Previewing changes when converting a colour space
    Assigning a colour profile

    Chapter 18 - Calibration & Profiling
    Calibration & profiling to achieve accurate colour all over the world
    The difference between calibration and profiling
    ICC profiles

    Chapter 19 - Camera Calibration
    Basic camera calibration
    Controlling colours with Jpegs
    Humphrey Bogart would have chosen Raw
    Generic camera profiles
    Restoring correct relative colour values with a custom camera profile
    Consistent colour between different cameras
    The 3 step process of custom camera calibration
    Creating camera profiles for different light sources
    Additional points to consider with custom camera calibration
    Photographing the ColorChecker target
    Camera profiling using Adobe DNG profile editor
    Camera profiling using X-Rite’s ColorChecker Passport software
    Basic rules for creating excellent camera profiles
    Further refinements using the creative enhancement targets

    Chapter 20 - Monitor Calibration & Profiling
    The importance of hardware calibration for your display
    An explanation of the benefits from display calibration
    Selecting the active monitor profile in OS X and Windows
    Differences between a display and a printed image
    The perception of colour accuracy
    A few pearls of wisdom for best results
    How often should you calibrate your display
    Humidity with older calibrators
    Avoiding calibration software conflicts
    The correct settings
    The display White Point
    The correct gamma setting
    Luminance settings
    ICC version
    Contrast

    Chapter 21 - The Calibration Process
    Points to check before you start
    Attaching the calibrator to the display
    Regulating the calibrator
    Basic vs Advanced calibration modes
    ADC and DDC automated adjustments
    Advanced options
    Reviewing the results
    Saving the display profile

    Chapter 22 - Monitor Calibration Test
    Checking your monitor for defects
    Identifying banding issues
    A quick fix for image file banding in tonal transitions
    Checking for colour bias and variation across the display
    A practical summary

    Chapter 23 - Display Calibration For Video
    PAL
    NTSC
    SECAM
    REC 709
    Calibrating the display for video using i1Profiler

    Chapter 24 - Tablet And Mobile Device Calibration
    Introducing ColorTRUE
    ColorTRUE availability
    Connecting the calibrator to your tablet or smartphone
    Calibrators: ColorMunki Smile, ColorMunki Display, i1Display Pro, i1Photo Pro 2
    The calibration process
    Viewing images with calibration enabled
    Setting the White Point for the tablet or smartphone display
    Setting ambient light compensation
    Soft proofing CMYK on a mobile device

    Chapter 25 - Printer Profiling
    A basic explanation of printer profiling
    Typical lifespan of a printer profile
    The three types of printer profile
    Matching profiles to print conditions
    Checking your printer before making a printer profile
    Downloadable printer test sample
    The perils of double profiling in Windows
    Judging a good printer profile
    Troubleshooting printer profiles
    Viewing conditions to assess printer profiles
    Printer profiles supplied by the manufacturer
    Custom profiles through 3rd party suppliers
    Preparing test prints for remote profiling

    Chapter 26 - Making Your Own Custom Printer Profiles
    It’s no longer complicated creating your own printer profiles
    Allowing time for the test chart to dry properly before profiling
    Using the ColorMunki Photo wizard to create a printer profile
    Advanced profiling options on the i1Publish Pro 2
    Profile naming

    Chapter 27 - Scanner Calibration & Profiling
    Self-calibrating scanners
    Typical colour bias in films
    The first step in scanner profiling
    Using the ColorChecker Digital SG with i1Profiler
    Verifying the scanner profile in Photoshop
    Scanner profiling service
    The problem of scanner profiling with colour negatives
    VueScan Professional
    Coloraid IT8 calibration targets
    Fine tuning your scanner profile
    Verifying the scanner profile using iprof profiler
    Establishing the limits of your scanner

    Chapter 28 - Projector Calibration
    The reason why projector calibration is essential
    The projector calibration process
    Selecting the correct White Point for scanner calibration
    Setting the profile

    Chapter 29 - Recommended Calibration Devices
    What sort of calibrator do I need?
    DataColor Spyder4Elite Vs X-Rite i1Display Pro
    i1Display Pro
    ColorMunki Photo
    i1Display Pro vs ColorMunki Photo for display calibration
    ColorChecker mini
    Summary of printer profiling on ColorMunki Photo
    i1Publish Pro 2

    Chapter 30 - Display Calibration Software
    How display calibration software works
    Eizo ColorNavigator & SpectraView II
    Troubleshooting tip
    basICColor Display

    Chapter 31 - Printing Introduction & Paper Types
    Printing overview
    Paper types at photo labs - Fuji Crystal Archive
    Hahnemühle, Innova, Moab, PermaJet, Canson, Tetenal, St Cuthberts Mill and Harman
    Matte vs Glossy
    Choosing the right paper
    Downloadable printer test image

    Chapter 32 - Printing With Photo Labs
    Common complaints with photo labs
    When it makes sense asking the labs to correct your colour
    Main advantages & disadvantages of photo labs for printing
    Preparing images for printing through photo labs
    Choosing the correct colour space for photo labs
    Saving files in the correct format
    A bit more technical… soft proofing with photo lab paper profiles
    The photo labs you should avoid
    Inkjet printing through a photo lab
    Testing different paper types
    The practical case for using photo labs

    Chapter 33 - Printing With Inkjet Printers
    The emergence of inkjet printing in the digital age
    Dye vs Pigment inks
    Expected life time of inkjet prints
    Drying time for inkjet prints
    OEM vs 3rd party inks
    The four golden tips for saving money and stress
    Continuous ink systems
    The dangers of mixing ink types
    A big change in inkjet costs is imminent
    Refillable ink cartridges

    Chapter 34 - Rendering Intents When Printing
    The purpose of Rendering Intents
    Soft proofing the effects of Rendering Intents
    Relative Colorimetric
    Perceptual
    Choosing the right Rendering Intent

    Chapter 35 - Soft Proofing Images For Print
    What is soft proofing?
    Suitable displays for soft proofing images
    The limitations of soft proofing
    The correct soft proof settings
    Soft proofing as a method to save on material costs
    Selective layer adjustments for advanced users
    Obtaining printer profiles for soft proofing

    Chapter 36 - Page Setup
    An explanation of what Page Setup does
    Working around layout limitations

    Chapter 37 - The Printer Driver
    When do we need the printer driver?
    What happens when we use the printer driver
    Deciding where to handle the colour management
    Applying the printer profile
    Disabling all colour options inside the printer driver
    Selecting the media type
    The quality setting
    Being patient for the print

    Chapter 38 - Print Troubleshooting
    Most common problems
    Stop printing until you find the problem
    Checking that your display is properly calibrated
    Viewing your print under suitable lighting
    Avoiding snap decisions when viewing print colours
    Checking for clogged printer nozzles
    Checking ink levels
    The printer profile
    Quality limitations with certain materials
    Checking with photo labs
    Looking again at the original image

    Chapter 39 - Recommended Printers
    A4, A3 and large format printers
    Epson 1500W using Claria dye inks
    Canon Pixma iX6550 using Chromalife100+ dye inks
    Epson Stylus Pro 4880 using Ultrachrome K3 pigment inks
    Contract colour proofs in prepress

    Chapter 40 - Preparing Files For Prepress
    What is prepress?
    Practical realities and handing over control
    Display calibration settings for prepress
    Soft proofing on your display
    BenQ PG2401PT
    Remote Director cloud based soft proofing
    The number rule for working with clients and printers
    Digital vs Litho
    Work in RGB
    The advantages of an RGB workflow
    The problem colours for CMYK conversion
    Choosing the right profile
    The advantage of soft proofing with the correct paper profile
    ISO Coated V2 and Fogra 39
    International convergence in CMYK profiling
    US Web Coated (SWOP) v2
    Soft proofing with the correct profile while editing
    Custom proofing options
    Knowing the paper limitations for maximum highlights
    Hard proofing
    The dangers of printing without an hard proof
    Signing off a contract proof
    Equipment and materials used for hard proofing
    Insist on a Fogra control bar
    Forget hard proofing with your desktop printer
    RGB or CMYK
    Tiff or Jpeg and appropriate quality settings
    Correct file naming
    Supplying images on CD or DVD
    Including copyright information
    Image sharpening
    Ensuring the files are clear of defects
    Supplying images in the correct format and colour space
    File dimensions
    Resolution settings for different print media from newspaper to stochastic
    PPI vs DPI
    Online CMYK conversion
    Summary of key points

    Chapter 41 - Pantone Matching System
    Who uses Pantone?
    How the Pantone Matching System works
    Pantone Plus Colour Guides
    The myPantone App for Android and iOS
    Using Pantone to correct images for specific colours
    Pantone swatches inside Photoshop
    Using Pantone to help match tricky colours and black & white in CMYK

    Chapter 42 - Preparing Images For The Web
    Accepting the unmanaged reality of the internet
    Choosing the right colour space
    The best web browser for colour management
    Fixing colour management inside Firefox
    The right image format for web usage
    Resolution for web images
    Retina resolution web images
    Save for Web in Photoshop
    JPEG-OPTIMIZER
    JPEGmini
    Jpeg quality settings

    Chapter 43 - Colour Management For Video
    First steps
    Setting the White Balance & exposure
    Shooting a clip with a ColorChecker or Grey scale card
    Advice on working with more than one camera
    Keep your sensor clean…
    Post production tweaks to shadow, mid-tones and highlights

    Chapter 44 - Colour Grading In Video
    A brief explanation of colour grading
    DaVinci Resolve
    The media area
    Using an X-Rite ColorChecker Passport to create a custom profile
    Creating a colour profile when the light is different in another location
    Creative enhancements using Color Wheels

    Chapter 45 - Photo Editing Software
    Introduction
    Capture One Pro
    Lightroom
    Photoshop
    Photoshop Elements
    Pixelmator

    Chapter 46 - Capture One Pro
    Capture One Pro introduction
    A direct comparison with Lightroom at default settings
    The Capture One Pro interface
    Raw file colour space and exporting to smaller colour spaces
    Capture One Pro ICC profiling
    The exposure tab
    Exposure warning preferences
    High Dynamic Range settings
    Levels & Curves
    Color tab White Balance presets
    Skin tone adjustments
    Colour temperature adjustment and tint control
    The Color Balance wheel adjustment for technical and creative enhancement
    Non destructive black & white adjustments inside Capture One Pro
    Using the Color Picker tool inside the Color Editor for narrow spectrum adjustments
    Soft proofing images inside Capture One Pro
    Rendering Intents inside preferences
    Processing images
    Process Recipe options when exporting images
    Printing in Capture One Pro using a Mac
    Instructing Capture One Pro to handle the colour management in OS X
    Soft proofing the image prior to print
    Choosing the Rendering Intent while previewing the image
    ColorSync inside the the OS X printer driver
    Choosing the correct print settings inside the printer driver
    Printing in Windows
    Page Setup in Windows
    Letting Capture One Pro handle the colour management when printing in Windows
    The Print Settings menu
    Printing Preferences
    Disabling colour management inside Windows Printing Preferences using Epson or Canon

    Chapter 47 - Adobe Lightroom
    Lightroom Introduction
    Lightroom management of Raw files
    Colour spaces in Lightroom
    Exploiting the full data of Raw files in Lightroom
    Lightroom external editing preferences
    Presets in the Develop module
    Activating solo mode in the Develop module
    Lens calibration
    Camera calibration
    Lightroom process versions
    Basic editing
    Altering the White Balance
    Adjusting the exposure
    The clarity slider
    Vibrance & Saturation
    Tone curve adjustments
    Hue, Saturation & Luminance controls
    Advanced edits using the adjustment brush
    Exporting digital files
    Printing in Lightroom overview
    Soft proofing in the Develop module
    Histogram changes when a printer profile is applied
    Soft proofing using a virtual proof copy
    Soft proofing to view Rendering Intent differences
    The Print module
    Print to Jpeg settings for colour space, resolution, sharpening, size and Rendering Intent
    Print to Printer
    File ppi resolution for inkjet printing
    Print sharpening & media type
    16-bit print output
    Avoiding key errors applying the printer profile
    Printing with a Mac
    Page Setup in Lightroom
    Print Settings…
    Ensuring ColorSync is enabled inside the printer driver
    Choosing the correct quality settings and media type
    Printing in Windows
    From Page Setup to Properties
    Turning off colour management inside the Windows printer driver on Canon and Epson
    Going to print
    Lightroom summary

    Chapter 48 - Adobe Photoshop
    Photoshop Introduction
    Colour management differences between CS6 and Photoshop CC
    Photoshop Color Settings
    Color Settings in Photoshop CC and CS6 compared
    Accessing color settings
    Choosing a preset in color settings
    Saving custom presets
    Pro Photo RGB in color settings
    Color management policies with color settings
    Mismatched profiles
    Use embedded profile
    Convert to working space
    Discard embedded profile
    Setting appropriate colour management policies
    Ways inside Photoshop to discover the colour space of an image
    Images with missing profiles
    Conversion options in color settings
    Adobe Camera Raw (ACR) engine
    Adobe Camera Raw preferences
    Sidecar .xmp files
    Sharpening preview images only
    Default image settings
    The cache size in Adobe Camera Raw
    DNG preferences with Adobe Camera Raw
    Jpeg and Tiff handling in Adobe Camera Raw preferences
    Processing Raw files in Adobe Camera Raw
    Similarities with Lightroom
    Lens calibration
    Camera calibration and process version
    Adobe Standard vs Custom camera calibration
    Basic editing in ACR
    White Balance adjustments
    Exposure
    The clarity slider
    Vibrance & saturation
    Tone curve adjustments
    Hue, Saturation and Luminance in ACR
    Advanced edits in ACR
    Exporting digital files in ACR
    Saving for web in Photoshop
    The file format options when saving for web
    The quality setting when saving for web
    Blur and Matte
    Progressive Jpeg option
    Optimized file size savings and compatibility
    Embed color profile
    Preview options for assessing your optimised web image
    Metadata when saving for web
    Resizing images for web usage
    File resolution when saving for web
    Assessing the previewed image
    Printing in Photoshop
    Photoshop Print Settings
    Profile risks for Windows users
    Printer setup
    Color management within Photoshop Print Settings
    The source colour space
    Choosing Photoshop for Color Handling
    Selecting the printer profile
    16-bit printing
    Normal printing vs hard proofing
    Rendering Intent choice
    Black point compensation
    Previewing Match Print, Colors, Gamut Warning and Show Paper
    Changing the preview border area
    Description tool tips
    Position and size
    Print Marks & Functions
    PostScript Options
    Printing on a Mac
    Page Setup
    Color Matching and ColorSync
    Print Settings or Quality & Media
    Ensuring the quality settings match the printer profile
    Checking the ink levels
    Saving a preset
    Saving your settings
    Printing on Windows
    Print Settings….
    Printer properties
    Matching the correct quality settings and media type to the printer profile
    Disabling colour management inside Printer Properties
    Patience is a virtue when printing
    Photoshop Summary

    Chapter 49 - Adobe Photoshop Elements
    Introduction
    Colour settings options
    Raw processing
    Opening a Raw file
    Camera calibration & process version
    Basic Raw adjustments in Adobe Camera Raw (ACR)
    Setting the White Balance
    The tint slider
    Auto vs Default settings
    Sharpening & noise reduction in ACR
    Exporting a Raw file
    Saving for web
    Quality settings for web usage
    Optimized & Progressive options
    Web image resolution
    Printing in Photoshop Elements
    Main print settings on Mac OS X
    Telling Photoshop Elements to handle the colour management in Mac OS X
    Applying the printer profile and choosing the Rendering Intent
    ColorSync settings
    Quality & paper settings
    Printing in Windows
    Main print settings in Windows
    Telling Photoshop Elements to handle the colour management in Windows
    Printer preferences
    Disabling colour management in the printer driver on Epson & Canon
    Summary

    Chapter 50 - Pixelmator
    Introduction
    Pixelmator features
    Colour management through Apple ColorSync
    Soft proofing CMYK
    Pixelmator handling of Raw files
    Converting colour space
    Image adjustments with layers
    Pixelmator tutorials
    Exporting images for web in Pixelmator
    Printing in Pixelmator with colour management
    Applying the printer profile
    Setting the quality and media type
    Rendering Intents in Pixelmator

    Chapter 51 - Troubleshooting & Colour Corrections
    Karyl’s law of colour management
    Lost causes; a pig in lipstick is still a pig…
    The easy fixes
    Using curves in Photoshop to colour correct

    Chapter 52 - Final Thoughts
    You don’t need to be a colour geek
    Concentrate on one area at a time
    Colour management is widespread nowadays
    Final acknowledgement
    About the author
    Glossary



    Сейчас по скидке книга стоит 1515 рублей, через 7 дней будет стоить 3225 рублей. Если найдется активный организатор, то сумеем выкупить по минималке.
     
  2. Последние события

    1. skladchik.com
      В складчине участвует 5 человек(а).
      25 авг 2020
    2. skladchik.com
      В складчине участвует 5 человек(а).
      15 авг 2020
    3. skladchik.com
      В складчине участвует 5 человек(а).
      2 авг 2020
    4. skladchik.com
      В складчине участвует 5 человек(а).
      12 июл 2020
  3. Обсуждение
  4. 11 янв 2019
    #2
    alex_procvet
    alex_procvet ДолжникДолжник
    Есть информация - когда сбор? Книга подешевела, уже проще не ждать, а купить может?
     
    1 человеку нравится это.
  5. 11 янв 2019
    #3
    savin
    savin ЧКЧлен клуба
    Почитай правила проведения складчин и подготовься к проведению, может у тебя получится.